John Grisham's first novel, A Time to Kill, was inspired by the actual testimony of a twelve year old rape victim at the De Soto County Courthouse. The novel was rejected by a number of publishers before finally being picked up for a modest advance. The film rights for A Time to Kill eventually sold for a reported six million dollars.
John Grisham has now joined the ranks of children's author. Penguin Young Readers Group in the U.S. and Hodder & Stoughton in the U.K. announced today that they will be publishing a middle-grade series that focus on 13-year-old Theodore Boone, a legal whiz kid. In the first book, THEODORE BOONE: KID LAWYER. Theo gets caught up in a high-profile murder trial in his town. Personally, I've really enjoyed Grisham's stories, though I found that his later work tended to beome a little formulaic. I hope his children's books are not the same, with just the protagonist's age being changed to 13 instead of 40.
Theo is scheduled to be released by Dutton Children's Books on May 25, and on June 10 by Hodder in the U.K. The second book, as yet untitled, is scheduled for release in 2011.
Thursday, February 25, 2010
Protect your IP
E-mail is copyrighted as soon as it is sent or saved.
All the talk of Google and copyright infringement got me thinking about a worry many writers have -- Will our work be stolen? As an intellectual property (IP) consultant, we usually don't do a lot of copyright work -- mainly patents and trademarks. As an author, who's created a piece of IP in the form of a book, I knew that my work was protected once I wrote it down. So copyright protection for a work begins when the work is fixed in some sort of "tangible form." This included writing, typing to paper, and saving it on a computer, but here it is in detail, courtesy of SFWA:
According to the Berne Convention (the international source for copyright law), an original expression is protected by copyright as soon as it is fixed in tangible form. In other words, the moment the words leave your brain and land on paper or the computer screen, you’re protected, and no further action–including registration–is required. The term of copyright guaranteed by Berne is the lifetime of the creator plus 50 years.
Specific copyright laws vary among the more than 90 countries that are signatory to Berne. In the USA, for instance, copyright applies to economic rights only, and the moral rights provisions enacted in other nations, intended to help protect the personality and reputation of the author, don’t exist. Many countries have also extended the term of copyright–in the USA and much of Europe, the term is the creator’s lifetime plus 70 years.
Berne ensures copyright protection without requiring any formalities (such as copyright registration) as a prerequisite to bringing an infringement suit. As a result, most countries have no formal copyright registration process. If you’re a US or Canadian writer, do you need to register? If you’re submitting book-length work to literary agents or publishers, the answer is no. Registration confers no additional copyright protection; all it does is give you legal standing to sue for infringement. But infringement is not something you need to worry about at the submission stage. Theft of unpublished work is so rare as to be functionally nonexistent.
In the USA, there are a number of online services that will register copyright for you with the US Copyright Office, for a fee. You can even purchase software that provides you with addresses and copyright forms. Don’t waste your money–it isn’t difficult to register copyright yourself, and it will cost you a good deal less than the services (currently, registration costs between $35 and $65, depending on whether you register online or on paper). For freelancers and others wanting to register more than one piece, the US Copyright Office offers a multiple-registration option.
So don't worry... your work in protected!
All the talk of Google and copyright infringement got me thinking about a worry many writers have -- Will our work be stolen? As an intellectual property (IP) consultant, we usually don't do a lot of copyright work -- mainly patents and trademarks. As an author, who's created a piece of IP in the form of a book, I knew that my work was protected once I wrote it down. So copyright protection for a work begins when the work is fixed in some sort of "tangible form." This included writing, typing to paper, and saving it on a computer, but here it is in detail, courtesy of SFWA:
According to the Berne Convention (the international source for copyright law), an original expression is protected by copyright as soon as it is fixed in tangible form. In other words, the moment the words leave your brain and land on paper or the computer screen, you’re protected, and no further action–including registration–is required. The term of copyright guaranteed by Berne is the lifetime of the creator plus 50 years.
Specific copyright laws vary among the more than 90 countries that are signatory to Berne. In the USA, for instance, copyright applies to economic rights only, and the moral rights provisions enacted in other nations, intended to help protect the personality and reputation of the author, don’t exist. Many countries have also extended the term of copyright–in the USA and much of Europe, the term is the creator’s lifetime plus 70 years.
Berne ensures copyright protection without requiring any formalities (such as copyright registration) as a prerequisite to bringing an infringement suit. As a result, most countries have no formal copyright registration process. If you’re a US or Canadian writer, do you need to register? If you’re submitting book-length work to literary agents or publishers, the answer is no. Registration confers no additional copyright protection; all it does is give you legal standing to sue for infringement. But infringement is not something you need to worry about at the submission stage. Theft of unpublished work is so rare as to be functionally nonexistent.
In the USA, there are a number of online services that will register copyright for you with the US Copyright Office, for a fee. You can even purchase software that provides you with addresses and copyright forms. Don’t waste your money–it isn’t difficult to register copyright yourself, and it will cost you a good deal less than the services (currently, registration costs between $35 and $65, depending on whether you register online or on paper). For freelancers and others wanting to register more than one piece, the US Copyright Office offers a multiple-registration option.
So don't worry... your work in protected!
Monday, February 22, 2010
Celebristories
The latest celebrily entrant into children's writing is Tori Spelling with PRESENTING TALLULAH. She is the latest addition to a string of celebrities turning their hand to writing - From Madonna to Kylie, John Travolta, Bill Cosby, Julie Andrews, Jay Leno and Whoopi Goldberg, A-list actors, comics and singers are reinventing themselves as children's authors.
Celebs writing children's book is in itself not new. Shirley Temple wrote a series of books1930s, and Elizabeth Taylor wrote NIBBLES AND ME in her teens about a pet squirrel. In the 50s, Broadway star Kay Thompson wrote ELOISE, about a little girl who lives in New York's Plaza hotel. Even politicians like President Jimmy Carter wrote THE LITTLE BABY SNOOGLE-FLEEJER, a story about a disabled boy who is befriended by a monster known as, yes, a snoogle-fleejer.
Some efforts are quite good, but others... not so much. As Anita Silvey, author of 100 BEST BOOKS FOR CHILDREN puts it: "Celebrity books are one of the great negative features of children's publishing in the 21st century. If I were still a publisher, as I used to be, none of these manuscripts would make it past my slush pile." Okay, maybe that's a bit harsh, but many children's authors, those who've burned the midnight oil, put in endless hours and struggled through the traumas of getting published, feel a tad bit resentful that celebrities get glittering book deals based seemingly on their name alone. Esteemed writer, Jane Yolen bemoans the fact that celebrity children's books command large advances, get lots of publicity and generally muscle the smaller authors out of bookshelf space at your local shop.It seems as if being famous can give you the leg up for anything, even getting a lucrative book contract.
Well, can we blame publishers? At the end of the day they are in the business of selling books to make the bottom line, keep their jobs and their shareholders happy. If they have a product by a well known name, they are guaranteed sales (for the most part). Madonna's THE ENGLISH ROSES instantly became the biggest and fastest selling book ever by a first-time children's author. The book debuted at number one on the New York Times Bestsellers List for children's picture books in 2003 and remained there for eighteen weeks. Combined, Madonna's first three children's books have sold over one and a half million copies worldwide.
So maybe we shouldn't blame the celebrities or the publishers but consumers - they're the ones buying them.
Celebs writing children's book is in itself not new. Shirley Temple wrote a series of books1930s, and Elizabeth Taylor wrote NIBBLES AND ME in her teens about a pet squirrel. In the 50s, Broadway star Kay Thompson wrote ELOISE, about a little girl who lives in New York's Plaza hotel. Even politicians like President Jimmy Carter wrote THE LITTLE BABY SNOOGLE-FLEEJER, a story about a disabled boy who is befriended by a monster known as, yes, a snoogle-fleejer.
Some efforts are quite good, but others... not so much. As Anita Silvey, author of 100 BEST BOOKS FOR CHILDREN puts it: "Celebrity books are one of the great negative features of children's publishing in the 21st century. If I were still a publisher, as I used to be, none of these manuscripts would make it past my slush pile." Okay, maybe that's a bit harsh, but many children's authors, those who've burned the midnight oil, put in endless hours and struggled through the traumas of getting published, feel a tad bit resentful that celebrities get glittering book deals based seemingly on their name alone. Esteemed writer, Jane Yolen bemoans the fact that celebrity children's books command large advances, get lots of publicity and generally muscle the smaller authors out of bookshelf space at your local shop.It seems as if being famous can give you the leg up for anything, even getting a lucrative book contract.
Well, can we blame publishers? At the end of the day they are in the business of selling books to make the bottom line, keep their jobs and their shareholders happy. If they have a product by a well known name, they are guaranteed sales (for the most part). Madonna's THE ENGLISH ROSES instantly became the biggest and fastest selling book ever by a first-time children's author. The book debuted at number one on the New York Times Bestsellers List for children's picture books in 2003 and remained there for eighteen weeks. Combined, Madonna's first three children's books have sold over one and a half million copies worldwide.
So maybe we shouldn't blame the celebrities or the publishers but consumers - they're the ones buying them.
Friday, February 19, 2010
Judge Chin Put Off
The Google search engine receives about a billion search requests per day
Over the past few months I've been watching the Google Books brouhaha over their digital book settlement to create the world's largest on-line library. At the center of the fray sits U.S.District Judge Denny Chin, who said during Thursday's hearing, that he did not know when he would issue a ruling on the proposed settlement, which has already been revised once to satisfy concerns raised by the Justice Department. Chin said he had received volumes of comments from the public that merited careful consideration.
As an writer with a published work coming out soon, and a someone who's grown up in Silicon Valley and reviews technology and innovation for a living, I'm stuck in the middle -- I believe an author's works should be protected, while I love the fact that books live on via technologocial advances, like Google Books, on-line.
During a marathon hearing before Judge Chin, lawyers representing the Justice Department, children's book authors, privacy advocates and business competitors said Google's agreement with some authors and publishers should be rejected because it would violate copyright laws. The opponents also argued that the $125 million settlement -- which would allow Google to scan and publish millions of out-of-print titles -- could give the company an unfair edge over other online publishers in the nascent but exploding market for digital books.
While Judge Chin did not offer clear guidance into his thinking during the hearing, several lawyers said subtle clues could be drawn from his questions. The sometimes impatient judge took many notes and asked lawyers for Google and its settlement partners -- the Authors Guild and the Association of American Publishers -- about a controversial portion of the settlement that would automatically include the holders of rights to titles unless they voluntarily opt out of the program.
The judge also asked about so-called orphan works, whose authors and rights holders can't be found. Google and its critics have sparred over how many books fall into that category, with estimates from a few million to tens of millions of titles. Google has said it would try to find rights holders of these works, but critics say the deal is designed to give Google exclusive rights to these works and protect it from lawsuits from rights holders.
So, now we wait and see what judge Chin has to say...
Over the past few months I've been watching the Google Books brouhaha over their digital book settlement to create the world's largest on-line library. At the center of the fray sits U.S.District Judge Denny Chin, who said during Thursday's hearing, that he did not know when he would issue a ruling on the proposed settlement, which has already been revised once to satisfy concerns raised by the Justice Department. Chin said he had received volumes of comments from the public that merited careful consideration.
As an writer with a published work coming out soon, and a someone who's grown up in Silicon Valley and reviews technology and innovation for a living, I'm stuck in the middle -- I believe an author's works should be protected, while I love the fact that books live on via technologocial advances, like Google Books, on-line.
During a marathon hearing before Judge Chin, lawyers representing the Justice Department, children's book authors, privacy advocates and business competitors said Google's agreement with some authors and publishers should be rejected because it would violate copyright laws. The opponents also argued that the $125 million settlement -- which would allow Google to scan and publish millions of out-of-print titles -- could give the company an unfair edge over other online publishers in the nascent but exploding market for digital books.
While Judge Chin did not offer clear guidance into his thinking during the hearing, several lawyers said subtle clues could be drawn from his questions. The sometimes impatient judge took many notes and asked lawyers for Google and its settlement partners -- the Authors Guild and the Association of American Publishers -- about a controversial portion of the settlement that would automatically include the holders of rights to titles unless they voluntarily opt out of the program.
The judge also asked about so-called orphan works, whose authors and rights holders can't be found. Google and its critics have sparred over how many books fall into that category, with estimates from a few million to tens of millions of titles. Google has said it would try to find rights holders of these works, but critics say the deal is designed to give Google exclusive rights to these works and protect it from lawsuits from rights holders.
So, now we wait and see what judge Chin has to say...
Labels:
Copyright,
Intellectual Property,
Legal,
Publishing
Tuesday, February 16, 2010
Donkbrary
The smallest member of the horse family, donkeys have become the "all-terrain vehicle" of the horse kingdom.
For the past ten years, Luis Soriano, a teacher in the small town of La Gloria, Colombia, has been following the same ritual. Every week-end, he gathers his donkey in front of his house, straps on the “Biblioburro” pouches to its back, and loads them with a selection of books from the eclectic collection he has acquired over the years. Soriano began loaning books from a stash of 70; now his collection consists of more than 4,800 titles. “This began as a necessity; then it became an obligation; and after that a custom,” he explained in an interview with The New York Times. “Now, it is an institution.”
Off on his mobile library, he travels into the hills and through the fields to the villages beyond where children await his visits impatiently. He firmly believes that bringing books to people who don’t have access to them can improve the country and open up possibilities for the future generation of Colombia.
For the past ten years, Luis Soriano, a teacher in the small town of La Gloria, Colombia, has been following the same ritual. Every week-end, he gathers his donkey in front of his house, straps on the “Biblioburro” pouches to its back, and loads them with a selection of books from the eclectic collection he has acquired over the years. Soriano began loaning books from a stash of 70; now his collection consists of more than 4,800 titles. “This began as a necessity; then it became an obligation; and after that a custom,” he explained in an interview with The New York Times. “Now, it is an institution.”
Off on his mobile library, he travels into the hills and through the fields to the villages beyond where children await his visits impatiently. He firmly believes that bringing books to people who don’t have access to them can improve the country and open up possibilities for the future generation of Colombia.
Thursday, February 11, 2010
Kirkus - Alive and Well
Life is pleasant. Death is peaceful. It's the transition that's troublesome - Jimi Hendrix
Herb Simon, Chairman emeritus of Simon Property Group, owner of the Indiana Pacers and a co-owner of Tecolote Books in Montecito, CA, has purchased Kirkus Reviews. Chief executive of Calendar Holdings and the other partner in that bookstore (as well as former Barnes & Noble employee) Marc Winkelman will be ceo of the new Kirkus Media and hold a small stake in the operation, with Elaine Szewczyk and Eric Liebetrau remaining in their leadership roles. He indicated to the NYT that "the company would continue to publish Kirkus as a print magazine while beefing up its digital offerings. He said he planned no immediate changes to the print edition, but hoped to make improvements over time.
Tuesday, February 9, 2010
MobiStories
In 1919, the Macmillan Publishing Company hired the first children's book editor in the United States - eHow
Move over ebooks, enter Mobi Stories by Still Motion Media. They take existing children's picture books and repurpose them for the digital screen. Their books are professionally narrated, have sound effects and original music, kind of like a a mashup of eBooks and audio books with a dash of cartoons to create children's picture books. It is viewable on iPhones, iPods, computers or other digital devices that play audio or video.
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